The Koshai set was one of the sets I my favorite sets I worked on. I wound up figuring out the texture treatment while doing on hands on work for the hammer that would eventually go on to be used for the rest of the weapons, armor and even the behemoth.

The Farslayer set is another set I had a lot of hands on work across the armor and weapons. It was very similar to the Koshai in treatment

The Unseen Garb set for Halloween is one I had to do a lot of hands on work along with the stand along Pumpkin Helm. The axe is part of another weapon set I worked out the texture treatment for that was applied to the rest of the set

The Skarn armor I created the initial proxy model for, and then greatly helped with the look and feel of the rocks. The client was very specific on how they wanted to look across all of the assets.

The Rezakiri armor and weapons I had a huge hand in, especially the warpike. It required some unique shader support that I worked with client to troubleshoot

This hairstyle I had the most impact on as I concepted various ideas of what the back could look like as there wasn't one provided by the client. It was designed for a Farslayer character and could be bought for your own character from the store.

I had the most impact on the Warpikes, as they were very technical with moving pieces. I created reusable guides that would help clarify the opening cannon end. The armor I did not work on but was chosen for clearest visibility across the shoulders

Various swords that my coworkers and I all worked on at some point, a lot of these had to be touched up as the material and texture feel was being worked out from early development. The armor I did not work on but was chosen to be thematically neutral

Various hammers that my coworkers and I all worked on at some point, a lot of these had to be touched up as the material and texture feel was being worked out from early development.

Various chain blades that my coworkers and I all worked on at some point, a lot of these had to be touched up as the material and texture feel was being worked out from early development.

Various axes that my coworkers and I all worked on at some point, a lot of these had to be touched up as the material and texture feel was being worked out from early development.